cinema in Albania
Early yearsThe first public showings began in the cities of Shkodra and Cor ç ë, which were showings of foreign films. The first films from Albania were mostly documentaries, the first film, which is on the Manastir Congress, which sanctioned the Albanian alphabet 1908th
The Communist times
founded after the Second World War, the communist government, the Albanian Film Institute in 1945, the film studio Shqipëria e Re 1952. Which was the first epic film Albania , Skënderbeu, a collaboration with Soviet artists followed that record the life and struggle of the Albanian national hero Gjergj Kastriot Skanderbeg. The film won a prize from the Cannes Film Festival. Two other well-known films of the period are Fëmijët e saj (your sons) and Tana. [Citation needed] in the 1960s, movies concentrated mostly on the theme of the work of the Second World War from the Albania by Italian and German armies and the struggle for liberation. The cinema had a strong positive connotation to the communist partisans and bad connotation to the forces of Balli Kombetar, and they are considered as state propaganda. Some of the directors of the time were Dhimitër Anagnosti, Viktor Gjika, Gezim Erebara, and Piro Milkani. In the 1970s there was a drastic reduction in the number of imported cinema as a result of cultural and political isolationist campaign by the state. This amounted to a rise in production in the cinema to five or six a year now and up to 8 or 10 per year at the end of the decade out, at 14 movies per year, culminating in the 1980s. The genre of cinema was also varied to include dramatic, and family and children's cinema. Two, the cinema was ECEN time Beni investigate ë, which is headed by Xhanfize Keko 1975, and the comedy of Kapedani Albania, is led by Fehmi Hoshafi and Muharrem Fejzo 1972nd A new cadre of directors of the time was Rikard Ljarja, Sajmir Kumbaro, Ibrahim Mucaj, Kristaq Mitro, and Esat Mysliu composed. This period also marked the beginning of the artistic and shkronjave made for television movie theaters as Udha e, a film which is directed by V. Prifti 1978th Something from Albania during the 1980s, cinema was made ë ë për Ball Ball, directed by Kujtim Cashku and Pirro Milkani 1979; Dora e ngroht ë, led by Kujtim Cashku 1983; Agimet stin e s e Madhe, led by Albert Minga 1981; Koh ë e larget, led by Spartak Pecani 1983, and Tela ë për violin, headed by Bujar Kapexhiu 1987th In the 1970s and 1980s there were 20-40 produced documentaries that focused on cultural elements as well as propaganda. This period also saw the birth of animated films, with Zana dhe Miri by V. and T. Vaso Droboniku 1975 numbered about 16 animated films a year. This film works were the result of a large cooperative effort by the film studio, the various directors, writers, composers, actors and the influences by the state, which formed a complete industry. Before 1990, about 200 movies had been produced. At the end of the 1980s Albania had more than 450 theaters. However, most of the equipment was old and broke up.
Post-Communist films
During the 1990s, the change in the communist form of government to a democratic to a large change from the cinema in Albania . The big conglomerate old movie studio was broken into several smaller studio theater, began in the private studio of the old directors and even some foreign, but are produced in conjunction with the new National Centre of Cinematography to (e Qendra Kombetar Kinematografis ë)., although new cinema is created, many Albanians to monitor and Enjoy the old cinema back, which is now shown at the various private television stations. The old propaganda elements are now more a source of comedy than hatred, and the early style is very much appreciated. Something of the most welcomed with cheering new cinema Kolonel Bunker, Parullat (slogans), includes Dasma e Sako, Tirana Year Zero, and Eva is a Porta. Towards the end of the 1990s many new movie theater built especially in the larger cities (like "Millennium" in the capital of Tirana), which show most of western and prominent American cinema.
founded after the Second World War, the communist government, the Albanian Film Institute in 1945, the film studio Shqipëria e Re 1952. Which was the first epic film Albania , Skënderbeu, a collaboration with Soviet artists followed that record the life and struggle of the Albanian national hero Gjergj Kastriot Skanderbeg. The film won a prize from the Cannes Film Festival. Two other well-known films of the period are Fëmijët e saj (your sons) and Tana. [Citation needed] in the 1960s, movies concentrated mostly on the theme of the work of the Second World War from the Albania by Italian and German armies and the struggle for liberation. The cinema had a strong positive connotation to the communist partisans and bad connotation to the forces of Balli Kombetar, and they are considered as state propaganda. Some of the directors of the time were Dhimitër Anagnosti, Viktor Gjika, Gezim Erebara, and Piro Milkani. In the 1970s there was a drastic reduction in the number of imported cinema as a result of cultural and political isolationist campaign by the state. This amounted to a rise in production in the cinema to five or six a year now and up to 8 or 10 per year at the end of the decade out, at 14 movies per year, culminating in the 1980s. The genre of cinema was also varied to include dramatic, and family and children's cinema. Two, the cinema was ECEN time Beni investigate ë, which is headed by Xhanfize Keko 1975, and the comedy of Kapedani Albania, is led by Fehmi Hoshafi and Muharrem Fejzo 1972nd A new cadre of directors of the time was Rikard Ljarja, Sajmir Kumbaro, Ibrahim Mucaj, Kristaq Mitro, and Esat Mysliu composed. This period also marked the beginning of the artistic and shkronjave made for television movie theaters as Udha e, a film which is directed by V. Prifti 1978th Something from Albania during the 1980s, cinema was made ë ë për Ball Ball, directed by Kujtim Cashku and Pirro Milkani 1979; Dora e ngroht ë, led by Kujtim Cashku 1983; Agimet stin e s e Madhe, led by Albert Minga 1981; Koh ë e larget, led by Spartak Pecani 1983, and Tela ë për violin, headed by Bujar Kapexhiu 1987th In the 1970s and 1980s there were 20-40 produced documentaries that focused on cultural elements as well as propaganda. This period also saw the birth of animated films, with Zana dhe Miri by V. and T. Vaso Droboniku 1975 numbered about 16 animated films a year. This film works were the result of a large cooperative effort by the film studio, the various directors, writers, composers, actors and the influences by the state, which formed a complete industry. Before 1990, about 200 movies had been produced. At the end of the 1980s Albania had more than 450 theaters. However, most of the equipment was old and broke up.
Post-Communist films
During the 1990s, the change in the communist form of government to a democratic to a large change from the cinema in Albania . The big conglomerate old movie studio was broken into several smaller studio theater, began in the private studio of the old directors and even some foreign, but are produced in conjunction with the new National Centre of Cinematography to (e Qendra Kombetar Kinematografis ë)., although new cinema is created, many Albanians to monitor and Enjoy the old cinema back, which is now shown at the various private television stations. The old propaganda elements are now more a source of comedy than hatred, and the early style is very much appreciated. Something of the most welcomed with cheering new cinema Kolonel Bunker, Parullat (slogans), includes Dasma e Sako, Tirana Year Zero, and Eva is a Porta. Towards the end of the 1990s many new movie theater built especially in the larger cities (like "Millennium" in the capital of Tirana), which show most of western and prominent American cinema.
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